Henry Dumas free essay sample

# 8211 ; Online Poems Essay, Research Paper Take THIS RIVER We move up a spinal column of Earth That bridges the river and the canal. And where a deceasing white log, finger-like, Floating off the bank, claws at the incline, We stumble, and we laugh. We slow beneath the Moon # 8217 ; s oculus ; Near the radiance of the river # 8217 ; s blood face, The canal # 8217 ; s head covering of underbrush workout suits frost, And this ancient watery cicatrix retains The motionless cryings of work forces with troubled liquors. For like the whole Earth, This land of mine is soaked # 8230 ; . Shadows together, We fall on the grass without a word. We had run this far from the town. We had taken the bony class, bouldery and narrow, He taking, I following. Our breath watercourse into October As the air current sucks our perspiration and a foliage # 8230 ; We have come a long long manner, mahn. He points over the river Where it bends west, so E, And leaves our sight. We will write a custom essay sample on Henry Dumas or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page I guess we have, I pant. I can hear My angry musculuss speaking to my castanetss. And we laugh. The goon of dark is coming. Up the river, down the river The sky and dark buss between the air current. You know, Ben says, this is where I brought Evelyn # 8230 ; . Look. We sat on that log And watched a river egret Till it flew off with the eventide. But mahn, she is a amusing miss, Aiee! But she looks like me Jamaica adult female # 8230 ; . But she asks me all the inquiries, mahn. I # 8217 ; m traveling to lose her mahn, Aiee! But I will. . . Ewie. Ewie I love you, But I do Ewie. . . Ewie. . . , he says And blows a buss into the air current. Broken shadows upon the canal Form and fuzz, as foliages shudder once more # 8230 ; once more State me this, Ben, I say. Do you love American misss? You know, do most Jamaicans Understand this state? We about laugh. Our perspiration is gone. He whispers Aiee on a long low breath And we turn full circle to the river, Our dorsums to the unsighted canal. But I # 8217 ; m non most Jamaicans # 8230 ; . I # 8217 ; m merely Ben, and tomorrow I # 8217 ; ll be gone, And # 8230 ; Ewie, I love you # 8230 ; . Aiee! My adult female, how can I love you? Blurred images upon the river Flow together and we are at that place # 8230 ; . What did she inquire you? I say. Everything and nil, possibly. But I couldn # 8217 ; t state her all. We about laugh. # 8217 ; Cause I Don # 8217 ; t cognize it all, mahn. Look, see over at that place # 8230 ; . We walked down from there Where the park ends And the canal Begins Where that ruddy shale stone Down the incline at that place. . . see? Sits itself up like a figure, We foremost touch our custodies. . . And up floats this log, Not in the river But in the canal there And it # 8217 ; s slimy and old And I kick it back. . . And mahn, she does excessively. Then she asks me: # 8216 ; Bennie, if I cry When you leave would you Remember me more? # 8217 ; Aiee! She # 8217 ; s a natural goddess! And she asks me: # 8216 ; Bennie, when you think of Jamaica Can you visualize me at that place? # 8217 ; And while she # 8217 ; s stating this, She # 8217 ; s making for the river Current like she # 8217 ; s experiencing its pulsation. She asks me: # 8216 ; Bennie, America means something to you? Possibly our meeting, our love? has Something to make with America, Like the river? Do you cognize Bennie? # 8217 ; Aiee, Aiee, mahn I tell you She might do me get married. . . Aiee! Ewie, Jamaica. . . Moon! And how can I state anything? I tell her: # 8216 ; Africa, someplace is Africa. Make you understand, # 8217 ; I say to her, And she look at me with the Moon, And I hear the air current and the foliages And we do non laugh. . . We are so near now no air current between us. . . I say to her: # 8216 ; Ewie, I do non cognize America Except possibly in my cryings # 8230 ; . Possibly when I look out from Jamaica Sometimes, at the ocean H2O # 8230 ; . Possibly so I know this state # 8230 ; . But I know that we, we Ewie # 8230 ; . I know that this river goes and goes. She takes me to the ocean, The female parent of H2O And so I am home. # 8217 ; And she tells me she knows By the silence in her eyes. I reach our custodies once more down And bathe them in the dark current And I say: # 8216 ; Take this river, Ewie # 8230 ; . # 8217 ; Aiee, air current around us, Aiee my God! Merely the dark knows how we kiss. He stands up. A raincloud sailing upon a leak, birrs In the fleeting embracing of our memories # 8230 ; . Let # 8217 ; s tally, I say, and warm these castanetss. But he trots a spot, so stops, Looking at his Jamaica sky. Let # 8217 ; s run the long route West Down the river route, I say, And I # 8217 ; ll state you of my adult female # 8230 ; .Aiee. We laugh, but we stop. And so, up the spiny ridge We race through the trees Like spirited fingers of frigid air. We move toward some blurred Mechanical visible radiation edged like an egret And swallowed by the dark. Into this land of mine. And the air current is cold, a goad Finger at our dorsums. The still Earth. Except for us. And from behind that ebon cloak, The Moon observes # 8230 ; . And we do non express joy And we do non shout, And where the land inclines, We take the river # 8230 ; . But we do non falter, We do non laugh, We do non shout, And we do non halt # 8230 ; . Online Beginning: hypertext transfer protocol: //www2.mdcc.edu/north/asili/volii_3/nu00031.htm Copyright? Loretta Dumas and Eugene Redmond, 1989/99 Funk The great God Shango in the African sea reached down with palm oil and oozed out me. Online Beginning: hypertext transfer protocol: //www2.mdcc.edu/north/asili/volii_3/nu00031.htm Copyright? Loretta Dumas and Eugene Redmond, 1989/99 Pea Peas in the cod peas in my intestine peas in the belly axial rotation making the prance. Blackeyes over blackeyes down blackeyes browneyes traveling to town Online Beginning: hypertext transfer protocol: //www2.mdcc.edu/north/asili/volii_3/nu00031.htm Copyright? Loretta Dumas and Eugene Redmond, 1989/99 Yam I made a yamship for my belly with my spoon and sweet siting jelly bread kept me til midday. Online Beginning: hypertext transfer protocol: //www2.mdcc.edu/north/asili/volii_3/nu00031.htm Copyright? Loretta Dumas and Eugene Redmond, 1989/99 BROWN SOUNDS brown sound cocoa memories like the first clip you saw grapes and tasted them and learned the colour blue brown sound pick milk reverberations like the first clip you saw bees and tasted gold and learned the honey lingua brown sound Africa pulsations like the first clip you exploded between legs and heard membranophones and learned the message of beats love brown sound United States pulsations plus forcing down trees like the first clip you saw that wild brainsick Equus caballus siting through painted comeuppances and you learned the expansive canon ruddy female parent brown sound black lineation like the first clip like the first clip the first clip is the last clip like that Online Beginning: hypertext transfer protocol: //www2.mdcc.edu/north/asili/volii_3/nu00031.htm Copyright? Loretta Dumas and Eugene Redmond, 1989/99 Click on the nexus above for extra online verse forms by Henry Dumas